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By Ruth Soffer

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In New technological developments reduce the problems for designers much more than for other cultural THE BROADCASTING INDUSTRY addition to funding models by the department of culture's success-dependant film subsidy program, "Sue- branches, because they define themselves less through ces Cinema," there is the "Pacte de l'audiovisuel" the design ofproducts and more through the design of between the film industry and the swiss radio and television broadcasting corporation (SRG SSRidee suisse). These are examples of a close relationship of exchange between the public and the private sectors.

1. 1]. tion system of the Swiss national economy subdivides and are not gathered into a complex ofbranches. the entire economy's respective economic activities In both a narrow and broad sense, this is a shift from the method in the I. Kulturwirtschaftsbericht Schweiz of interconnecting the related sub-markets. It allows different sub-markets to merge and form new, variable groups in line with the chosen perspective. e- M This official, binding classifica- according to department, group, and sub-segments (business classification).

Gross taxable turnover added value-b) DEVELOPMENT AND SHARES OF THE SWISS CREATIVE INDUSTRIES COMPARED WITH THE ECONOMY AS A WHOLE. Notes: ,) including tax-free exports etc; b) estimate. Sources: VAT Statistics, FTA; Swiss Business Census, SFSO; Creative Industries Research Unit I zudx, own calculation. percentage of GDP remained the same, because the higher employment losses. 8% in four-year comparison. 7%. tries now comprise more than one tenth of the Swiss economy. 1% whereas the overall economy landscape are contradictory.

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