Download A Life Worth Living: Albert Camus and the Quest for Meaning by Robert Zaretsky PDF

By Robert Zaretsky

In his Nobel Prize attractiveness speech, Albert Camus declared writer's responsibility is twofold: "the refusal to lie approximately what one is familiar with and the resistance opposed to oppression." those dual obsessions support clarify whatever of Camus' extraordinary personality, that is the overarching topic of this sympathetic and full of life ebook. via an exploration of topics that preoccupied Camus--absurdity, silence, rebellion, constancy, and moderation--Robert Zaretsky portrays a moralist who refused to be fooled by way of the nobler names we assign to our activities, and who driven himself, and people approximately him, to problem the established order. even though we don't face an analogous risks that threatened Europe while Camus wrote "The Myth""of Sisyphus" and "The Stranger," we confront different alarms. Herein lies Camus' abiding importance. examining his paintings, we turn into extra considerate observers of our personal lives. For Camus, uprising is an everlasting human situation, a undying fight opposed to injustice that makes existence worthy residing. yet uprising is usually bounded via self-imposed constraints--it is a noble if most unlikely excellent. this kind of contradiction means that if there isn't any reason behind wish, there's additionally no social gathering for despair--a sentiment probably larger fitted to the traditional tragedians than smooth political theorists yet one whose knowledge abides. but we mustn't ever venerate pain, Camus cautions: the world's good looks calls for our cognizance a minimum of life's educate of injustices. That reputation allows him to claim: "It was once the center of wintry weather, i ultimately learned that, inside me, summer season used to be inextinguishable."

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Additional resources for A Life Worth Living: Albert Camus and the Quest for Meaning

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Is the of the greatest number. construct allowing for the organization of Space . . ”55 The labyrinth was for Moles the an intriguing mix of high modernism’s perennial themes— very figure of change within a consistent structure; of per- the greatest number, the need for rational land exploi- mutation and transformation within an ordered environ- tation—and the new themes of abundance and ambient ment. But Mole’s labyrinth was not, like so many historical perception presented by the new spatial culture.

Objects are judged from this point of view ciple of the landscape. Indeed, basing themselves on mod- by their spatial relationship to this subject (they are near els derived from cybernetics and systems theory, Moles or far, and so forth). 50 works, Moles and Rohmer viewed them as contingent, Always existing alongside the “centrality” of phenome- imperfect developments of contemporary society, with nological space was the diffuse, structuralist vision of Car- their own benefits and possible threats.

Van Friedman, Schöffer, Buckminster Fuller, Frei Otto, the Lier seized upon Friedman’s axiomatics to express the idea Metabolists, Archigram, Architecture Principe, and oth- of architecture not as fixed form but as a combinatoire: a ers. Hyperbolic paraboloids, space frames and grids, plastic term that came to represent the best and worst aspects of pods, concrete shells, and massive megastructures spread the spatial culture at this time. across the landscape, connecting, communicating, over- Architecture was excluded from the topological utopia lapping, and integrating.

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